Changes Festival has been a fantastic addition to Melbourne’s musical landscape over the last two years. The focus is on getting a snapshot at what the music industry currently looks like, and is all about having a conversation about where to next… In terms of technology, inclusivity, the environment and basically a big ‘where to?’ for the music industry.
I was lucky enough to be able to check out a bunch of talks, as well as run two Ableton Live workshops with Memphis LK and The Push.
I am always keen to share my knowledge and passion for creative workflows and music making, so I was super stoked to be able to put on an event the amazing Bargoonga Nganjin community space to run a workshop focusing on Teenage Engineering x Ableton Live workflows called Electronic Music Processes.
This event was supported by Teenage Engineering’s #EMS program and had some serious giveaway courtesy of Ableton and Innovative Music.
It was great to be able to talk in about the workflows of Teenage Engineering’s Pocket Operators, OP-Z and OP-1, and how you can integrate them into Ableton Live.
Photos via @callummis
Throughout May and June, I ran a series of free Audio Manipulation Workshops at some of the City of Yarra Libraries.
The focus was on techniques that you can use within Ableton Live to work with and manipulate audio.
Well, to round off a pretty crazy year, I recently became an Ableton Certified Trainer. I’ve been using Live since 2004, and this has been a pretty big milestone for me to achieve as a music and music tech educator. There are just shy of 300 Ableton Certified Trainers in the world, and it’s an exciting international community to be a part of.
To celebrate the release of my new EP Streamers, I’m giving away a set of Instrument Racks that are compatible with Ableton Live 10. These instruments use many of the new features and FX available in Live 10, including Echo, Drum Bus and Pedal.
Each instrument uses original audio files from each track on the EP, but they are more of a ‘re-imagining’ of the sonic landscape of each track, and are designed to be immensely playable using the pre-mapped 8 Macros, and hopefully creatively inspiring to you.
I used similar techniques for many of the instruments that I utilised in the commercial Analogue Sequences Pack that I created for School of Synthesis, which is available at Loopmasters. This technique involves using the Slice feature in Simpler in conjunction with carefully mapped Arpeggiator settings to create ‘playable’ sequences. It is particularly fun to play with using an Ableton Push controller in it’s 64 Pad drum rack mode, though can be played with any midi controller.
These are freely available to you to use as you wish, but if you find them racks inspiring consider donating a dollar. or downloading the Streamers EP via Bandcamp for a couple of dollars!
Download the instrument racks in .alp format here.
Have a listen to Streamers on Spotify or via Bandcamp below
As a side to my work at Ableton User Group Melbourne, I was privileged to be part of the team programming and putting on Process- A Sonic Forum: a day-long event that brought together a whole stack of musicians working in the field of music technology talking not about Industry, but about arts practice and creativity.
We had wonderful presentations and workshops put on by Darrin Verhagen, Ben Byrne, Chiara Kickdrum, Chris Vik, the Monash Country Lines Archive, Rainbow Chain, Tom Cosm, Eve Klein and Dennis DeSantis.
MESS (Melbourne Electronic Sound Studio), Found Sound, Ableton and Innovated Music were also all involved in providing a range of Musical Equipment, Synths and Gadgets for participants to play on.
Have a look at the video round-up, and watch this space for future Process events!
I did a performance of some new material on TRNSMT TV for the Beat Collective show.
Check out the footage shot by the wonderful Ben Willis.