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I have recently been working some material up for the Melodics App, which is an app that aims to make learning how to play finger drum pads and piano fun and engaging.

The aim of my course was to get users to understand some of the techniques used in creating cinematic-styled music.

There are six compositions you can play along with; Space Between that helps you explore the idea of less is often more, and to listen to the space between notes. Character & Theme works on the idea that a simple musical theme can be synonymous with a character in a film. Drama & Rhythm builds tension through the use of dramatic deep strings and tense percussive elements. Tension & Dissonance works with closely clustered notes to create something melancholic and tense. Deep Melody puts everything together to create a deep cinematic world, and Chords Uplifting resolves the whole course as an epic uplifting grand finale!

 

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AGDA2015

In conjunction with the Game Connect Asia-Pacific 2015 conference (GCAP15) the Australian Game Developer Awards were held last Wednesday night.

Breath of Light was shortlisted for three awards, and ended up winning both the Excellence in Art and Excellence in Audio awards.

For someone who is fairly new to this composition for games industry, it was a pretty exciting night to be part of, and pretty amazing that my score and sound design won.

So, congratulations to all the crew at Many Monkeys for making such a great minimalistic, Zen-inspired game, and I feel honoured to be recognised by the Australian Game Developer’s Industry for my part in this project.

I also did an interview about the process of creating the Soundtrack for Ableton.com, which you can read here.

Download Breath of Light via the iTunes store or Google play, and you can get the “award-winning” ūüėČ soundtrack for free via Bandcamp.

Over the last few months, I’ve been composing and creating¬†sound for a really beautiful meditative puzzle game for iOS called Breath of Light.

Made by Melbourne game development¬†company Many Monkeys, Breath of Light is the sort of puzzle game that takes time to master, there is no rushing the process, It’s a slow paced¬†game that required immersive,¬†meditative music.

The interface is a bit like a Zen Garden, where the player must arrange and move objects within the space to allow the flow of energy from one lotus flower to another. The game is set over 4 seasons, Summer, Autumn, Winter and Spring, each progressively more challenging as the levels evolve.

Each season has it’s own musical underscore created from a bank¬†of loops that are designed to both¬†work in any combination, but also evolve and develop over time with the gameplay.

It was decided very early on that User Interface (U.I.) sounds should add to the musical score. The way we made this work was to have a series of¬†randomised¬†tones associated with¬†every¬†object and movement within the game. All these¬†sounds were¬†composed in a way that to¬†match the tonality of each¬†season’s¬†underscore, which allows¬†every gesture within the game-play to¬†contribute to an¬†interactive¬†soundtrack.

During the development of the soundtrack, I used Ableton Live to create a performable set to play these sounds to both demo these musical ideas to the guys at Many Monkeys and to test how the U.I. sounds blended with each other. I did this by creating drum racks that housed the U.I sounds and used scenes to work out the different combinations of underscore loops for each level in the game.

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Once the nuts and bolts of the game sound was finalised, I set about developing a performable live set to recorded each ‘season’ as a musical composition in it’s own right. This was done with a little extra¬†help from the wonderful Max for Live Dub Machines¬†audio FX ‘Magnetic‘ and ‘Diffuse‘ which¬†added extra flow and movement.

Below are the recorded seasons of the Breath of Light soundtrack, available for free download via Bandcamp.