It’s a great privilege to be involved with participatory youth program called QUADwrangle over the next two weeks. I’m working with a bunch of young sound artists from the College of the Arts (VCA), to create an interactive sound sculpture that will reside at Arts Centre Melbourne’s Fairfax theatre August 13-16.
The intention is to create an immersive and fun piece with this awesome crew of artists and musicians. We’re going to explore new processes together, and develop a work that will invite and engage the audience to get involved an collaborate with one another to make music.
All too often these sort of interactive works run the risk of having too much happening when lots of people are interacting with it. The challenge for us is going to be to get this sculpture to become more musical, more harmonious and more inviting the more people who are playing with it.
These themes are intended to mirror Shaun Parker’s The Yard, a contemporary dance piece that is running concurrently at the Fairfax theatre, which tackles the cultural divide within the school yard.
Today we spent the day creating original sounds, that evoke a school yard of nostalgia of sampling old primary school xylophones into my Teenage Engineering OP-1, creating Drum Racks of clunking rulers, tearing paper and textas, as well as manipulating field recordings into soundscapes within Ableton live.
Rehearsals have begun for a fantastic project I’m involved with called The Radio Hour. It is part of the Melbourne Writer’s Festival inconjunction with ABC Radio National.
This is a full scale live production – a night of non-fiction story-telling on the theme ‘When Words Fail’, presented live on stage by the writer/s/producers themselves, and scored live my some super-talented musicians. The night will be recorded live for broadcast on Radio National’s 360 Documentariesprogram.
I’m part of a band with Biddy Connor (Sailor Days, Laura Jean band) & Dan Marsh (Human Face) performing a live soundtrack.
I was recently part of a remix/collaboration project with fellow Melbourne producer, and all-round nice guy Tim Shiel.
Tim recently made the soundtrack for a iOS game Duet, which has been kicking goals internationally.
He then invited a bunch of fellow Melbourne producers, Lower Spectrum, Friendships, Aoi, Jahnne, Aliigator Williams, Luke Howard, Surf Dad, Clue to Kalo and yours-truly, to take the musical elements of this iOS soundtrack, and re-interpret them.
Here is the track that I worked on with Tim called “Collapse”.
It’s ended up sort of like a dark expansive soundscape with a sense of internal perpetual movement that will hopefully take you on a musical journey.
So I’m doing a presentation at Face the Music conference tomorrow… if you can’t make it.. this video is about 3 minutes of an hour and a half session that I’m doing with the very talented Tim Shiel, about incorporating Ableton Live and Music Tech into your Live Show.
I’m talking about using Ableton as an FX processor and looper, and Tim is talking about how he used Ableton Live in Gotye’s live show.