Last month I ran a Process Lab workshop at Arts Centre Melbourne as part of Melbourne Music Week focusing on Mobile Music Making. I am pretty obsessed with mobile music-making devices and enjoy the unique workflows that these sort of devices provide you.
There were a number of focuses on this workshop including Sampling in iOS using Koala Sampler, the teenage engineering PO30-KO! and OP-Z, and I went through workflows and techniques on how to integrate these portable devices into your Ableton Live studio setup.
I also showed some of my favourite iOS apps for iPad including AUM, Fugue Machine, Spacecraft, Patterning 2, Eos 2, Enso and Samplr, how you can create a digital connection to route audio directly into Live without the need for an audio interface, and how you can sync it all up using Ableton Link.
Big thanks to The Channel at Arts Centre Melbourne and MMW.
Some of the workshops I’ve been doing lately have been focused on the unique workflows of Teenage Engineering’s awesome portable devices, the OP-1, OP-Z and Pocket Operator series.
I’ve been a huge fan of Teenage Engineering products for a long time since I first bought my OP-1 seven or so years ago.
So, I’m really excited to now be featured on the Teenage Engineering website as one of their mentors of #ems.
Expect some more Ableton Live x Teenage Engineering things from me soon, including the next Process Lab – Mobile Music Making event on November 15.
Changes Festival has been a fantastic addition to Melbourne’s musical landscape over the last two years. The focus is on getting a snapshot at what the music industry currently looks like, and is all about having a conversation about where to next… In terms of technology, inclusivity, the environment and basically a big ‘where to?’ for the music industry.
I was lucky enough to be able to check out a bunch of talks, as well as run two Ableton Live workshops with Memphis LK and The Push.
Throughout May and June, I ran a series of free Audio Manipulation Workshops at some of the City of Yarra Libraries.
The focus was on techniques that you can use within Ableton Live to work with and manipulate audio.
Well, to round off a pretty crazy year, I recently became an Ableton Certified Trainer. I’ve been using Live since 2004, and this has been a pretty big milestone for me to achieve as a music and music tech educator. There are just shy of 300 Ableton Certified Trainers in the world, and it’s an exciting international community to be a part of.